Audio experiments from Greg Stasiw arrive on Hidden Harmony Recordings

The debut LP from Greg Stasiw, titled Guesswork, arrives on February 2, 2026, via Hidden Harmony Recordings. The thirteen-track record, produced on 180-gram vinyl and digital formats, originates from a four-year period of audio experimentation and iterative composition.

Title: Guesswork
Artist: Hidden Harmony Recordings
Release Date: 2026-02-02
Genres: Ambient, Avant-garde, Electronica, Experimental Music
Description: Greg Stasiw debuts on Hidden Harmony Recordings with Guesswork, a thirteen-track LP of sound design and environmental electronics out Feb 2, 2026.

Stasiw is a New England-based artist whose work across music, writing, and visual media follows a period of residency in Tokyo, Paris, Toronto, New York, and Boston. His academic background includes studies in anthropology, animation, and illustration. These disciplines intersect with a musical trajectory that began with microcassettes and Windows 98 Sound Recorder, moving through piano, choral music, and taiko drumming before transitioning into contemporary music production software.

The material for Guesswork was prompted by a proposed but uncompleted collaboration with visual artist Philippe Shewchenko. Stasiw utilized the sketches intended for that project to develop a sound that draws from minimalism and the Japanese kankyō ongaku tradition. The album uses the visual cosmology of Shewchenko, who provided the cover art, as a primary reference point for its arrangements.

The compositions utilize specific sound sources to address the relationship between audio events and mental spatial perception. Greg Stasiw has a professional history as a polymath, maintaining a practice that includes illustration and animation alongside his work as a writer. His musical background includes credits in various ensembles, including metal and indie rock groups, as well as orchestral and choral performances. Guesswork represents his first long-form output focused on sound design and environmental electronics. The album’s title refers to his semi-improvisational methodology and the process of curating free-flowing experiments into a sequenced collection.

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